Molot compressor review: I love it!
Well, I’ve noticed that I’ve got some fellow audiophiles among my visitors so I thought I’d share the latest find when it comes to free VSTs available: Meet Russian behemoth Molot! And dear God is this a fierce beast! You know the climactic scene in Evil Dead II when the demonic dimension rips through the fabrics of reality and the Rotten Apple Head comes through the door to swallow Ash? Well, this piece of tube-powered compression emulator kinda does that with your sounds.
I initially tried it out on the unmastered track of Call Me Greenhorn‘s album teaser – and to be honest I don’t have a title for that one yet – and I had to rip my earphones off ’cause it damn near took my head clean off. And I live for that kinda sound. There an almost endless amount of variety offered plus some nice presets if you’re new to it or just wanna save some time (personally I found the “room” setting kinda nice ’cause it had a slight SSL feel).
Based on the same technology that gave the World that other beast (the Sovtek-powered Big Muff distortion pedal), it’s a primitive, no-bullshit chunk of gnarly oomph! that does not aim for sophistication. Like author Vladislav Goncharov himself says: “[If you’re…] Looking for transparent compressor? This not your choice. This compressor adds a lot of coloring to sound.” And he’s not kidding. This’ll color everything. It’s loud and noisy and ugly and just everything that makes rough and raw music great.
You can download it here, and he’s offering some limiters and clippers as well that I’m gonna check out as soon as my damn ears stop ringing…
Yeah! It really shows the soul of Molot!
Thanks, Magnus! You rock!
PS. I didn’t have experience to work with electronic music but after using Molot for latest Proximity plugin video I had the same feeling “…as my damn ears stop ringing…” 🙂